From their condo, Huysmans and Dereere interviewed people on all three boats, the show splicing their voices along with pictures of ethereal, jelly-like deep-sea fish. The useful practicality of the piece has a slight sense of remove, questioning more than it answers, but it retains a creeping sense of dread. As the knowledge builds up, the strain of the room appears to increase, and there’s a hard-to-shake feeling that we’re in the opening scenes of a catastrophe film. In the twentieth century sculptors Barbara Hepworth and Henry Moore, painters Francis Bacon and Lucian Freud, architects Zaha Hadid and Richard Rogers embody the contrasts between fantasy and observation. More lately another key patron, Charles Saatchi, championed the sensational Britart conceptual art explosion, typified by Damien Hirst and Tracey Emin.

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Members of each parties were more and …